Me and Bob and Ed

robert-milligan-statue-1006(I wrote this for the Express, where it appeared on Saturday 14 June. I though I’d share it again here.)

It turns out I was a neighbour of Robert Milligan’s, although until this last week I would have been hard put to point him out to you. But you know him already, right? You’d see him outside the Museum of London Docklands. Tall bloke. Scottish. Little pigtail. Slave-owner.

And now, just like Bristol’s Edward Colston, gone.

I’ve worked in the arts all my life, and the notion of the removal of any kind of art, and all the issues that raises of censorship and faddy political correctness are matters I find difficult and troubling and confusing. But not in this case.

I must have walked past Robert Milligan dozens of times. If I noticed him at all, it would only have been as yet another statue of an old white bloke, with a truly tragic example of greengrocer’s apostrophe in its inscription. It wasn’t even a good piece of art (so few of these statues are), and looked nothing like portraits of the man himself, in all his pouchy thin-lipped pugnacity. No-one seems to have much cared for it, ever; it was shoved around three times to different sites. Had I been a schoolchild from a BAME background, as are so many here in Tower Hamlets, I imagine (and all I, white and middle class, can do is imagine) the statue of an old white bloke would have registered even less with me – that is, unless I knew who he was and what he had done. Then I might well have asked myself what, as I was here, he was doing there. I might have wanted to know why his life was celebrated, while the lives of those he had enslaved, at least until you got into the Museum itself, were completely invisible. And I might have wondered whether, in these new times of Covid-19 and Clap for the NHS and the appalling murder of George Floyd, something ought not to be done about his gurning presence.

Well, now it has been, and I’m glad. I’m glad those questions are now being asked at an elected level, and I’m glad Milligan was removed not by a crowd of protesters but by community decree. I hope his statue, and Colston’s, find new homes where they can be used to continue the conversation around all these difficult and troubling and confusing questions; and I hope the site where Milligan stood is used for new and better art, that responds to the whole, entire history of the Isle of Dogs and all its peoples. The reasons for Colston’s and Milligan’s statues are part of why they had to go, and now, truly, part of history itself, but I can’t find any part of me that thinks removing them was censorship. It is simply doing the right thing. It is, if you like, something as simple as good taste.

Image from the Evening Standard.

 

DAISY’S DIRY The thoughts of small cat on lockdown. Episode II.

Dear Diry, likewise World Outside and Cats of Posterity

This is coming to you from under Bed, and not because Monster is here again, either, no Monster is Still Stuck in Merica for Months. This is coming to you from under Bed because Hooman is doing Housework. This means Hoover is out AAAAAARGHHHH, and not only that – Hooman is doing Angry Housework, the very worst kind, the sort where she shouts things over Hoover noise. I tell you, Kitty Quiet Time round here is but fond memory.

But Hooman, it seems, has lots to be angry about. First of all there is Monster, Still Stuck in Merica. Then a fellow Hooman was trying to tell her that people should all be buying extra Hooman crunchies in case there is Shortage. Shortage of Crunchies sounded pretty serious to Bird and me, but our Hooman says no, if there is Shortage, she says, ‘It will be caused by bleeping idiots like that. It’s like those bleeping WHUURRRR WHUUUUUR cretins who whine on and on about how they’re stuck in a bleep-bleeping WHURRRRR traffic jam without thinking how they are the goddam bleep WHURRRR traffic-jam. BLEEEEP!’ and she yanked Hoover across the carpet so hard that even though Bird says Hoover is Instrument of the Borsh the Borg WELL BIRD YOU SPELL IT THEN Bourgeoisie whose one aim in life is to eat Mousie (as well as making horrible WHURRRR WHURRRR noise), I almost felt sorry for it. Almost.

Then it seems that along with bleeping idiots and Carniverus, there is something out there in the world called the Lying Orange Liar. Lying Orange Liar is meant to be taking care of Merica, where Monster is, and keeping everyone in Merica safe from Carniverus, but isn’t interested in doing anything unless it means extra Crunchies for him. Lying Orange Liar, to quote Hooman, is bloated whitehead on nose of humanity. I asked Bird what that meant and she says it is like when we were in rescue place, before Hooman rescued us, and both had itchy butt-buttons, only worse.

Hooman then sat down with little book and pencil with chewy thing on end, and started using chewy thing to rub out writing in little book. Bird and I had come out from under bed by now, seeing as how Hoover was back in cage (also I wanted to make sure Mousie was safe in Toy Box and had not been et), and did all we could to help – inspecting pencil when Hooman waved it about and testing chewy bit, and I even gave her the tummy, but no. Nothing helped. Still shouty. Monster’s birthday – gone. Visit to her Mummy – gone. Trip to Paris with Nice Friend Lee – gone. ‘Three bleeping months of this,’ says Hooman, ‘and that’s if we’re lucky. We’d better start getting used to each other, girls.’

I looked at Bird and Bird looked at me. It seemed to us we could hear faint evil antispatory whurrrrr of pleasure from Hoover’s cage in kitchen. Three months of Angry Housework? Three months without Kitty Quiet Time? BLEEEPING EEEEP! Pass the nip!

 

HEY NONNY? NO! On misbehaving wildlife

Despite all that Ciara and Dennis could come up with between them, the wildlife in E14 has heard the call of Spring, and once heard, never forgotten. No matter that the waves on the dock outside my front window have whitecaps, that the spiders who live on the window have all huddled in the corners of the frames, that the trees in the garden are almost horizontal in the wind; furred or feathered, one and all, they know what season it is, and what they are meant to be getting up to in it.

It all makes for some truly shocking public misbehavior.

Reynard – where in London is there not a Reynard, I ask you? – goes trotting down the quayside of an evening, tail bushed and whiskers twitching; and just in case the fact that this is date-night somehow slips his mind, Mrs Reynard, or Mrs Reynard-to-be, rather, serenades us from the centre of the garden at 1am, sat there on her haunches as if she owned the place, shrieking ‘I want a boyfriend and I want him now!’ Cue the snapping on of lights all over the building, the wailing of children startled from their slumbers, and AirBnBers staggering out onto their balconies, peering down into the darkened garden, trying to identify the spot from which the desperate shrieks and screams are issuing and what on earth it is, down there, that can be producing them. Last time it happened, some newby, uninitiated in the ways of London wildlife, and convinced that somewhere down there in the garden, murder was being done, actually called the police. We all got back to bed at three-ish. Hey ho.

Then there are the seagulls. It’s too windy for them out at sea, so the dock at present is thick with them, squabbling and yawping, and performing the kind of aerial ballet just outside the windows guaranteed to drive a kitty-cat insane. Bird – by far the smarter of my two felines – hunkers down and watches them entranced, nothing moving but the ears; but Daisy (smaller, dumber) goes into a frenzy every time, leaping up onto the arm of the sofa, tail lashing the air, and doing this demented feline machine-gun impersonation – ‘Ah-ah-ah-ah-ah-AH!’ – as if shooting the gulls down mid-air. Any one of them would be big enough to carry her off as the giant roc did Sinbad. Seriously, the idea of this cat lasting even five minutes out there on her own is absurd. There’s something about small seems to double-down in the natural world on feisty: shrews pursue each other through the chippings on the flower-beds, sending dusty puffs of bark into the air whenever they meet, like small atomic explosions; whilst the colony of wrens who have taken up residence in our otherwise undistinguished selection of spiky shrubs have territorial sing-offs and joust almost to the death. There are grebes out there on the water, a pair of them doing their springtime disco mirror-dance (head up, head down. Head up, head down. Head bobble, head bobble. Head up, head down. Big fish, little fish, cardboard box); prelude to tiny baby grebes, stripy as toothpaste and streamlined as if extruded from a tube. There are cormorants, too, also bobbing up and down as they fish (‘Guess where I’m, going to surface next! Nope, fooled you!’), then hanging themselves out to dry off like big tattered flags. Why Mother Nature thought there was a place for a non-waterproof diving bird in the grand scheme of things I have no idea, but no corner of the dock is complete without one of them at present, wings extended, baring their all. C’mon ladies, they seem to be saying. Smell me pits.

And then there are the coots. I should preface this by saying that technically, my neighbourhood coots are citizens of Millwall, and then further explain for those not up on English football that for years, the favourite chant from the terraces for any Millwall fan was ‘No-one likes us. No-one likes us. No-one likes us. We don’t care,’ sung to the tune of Rod Stewart’s We Are Sailing. During the worst of the bad old days of football hooliganism, Millwall was synonymous with getting your head kicked in. It’s moot as to how much, even then, Millwall deserved their lousy reputation; but clearly it was something in the water, because the Millwall coots are thugs. They’re bloody awful parents too, apparently, semi-starving their multitudinous broods of chicks until the weakest ones quietly die, but the anti-social behaviour sets in long before that. Let one Millwall coot spot another Millwall coot in the water at this time of year, and the pair of them round on each other, heads lowered, and power forward at ramming speed, like something out of Ben Hur, whilst the cootettes gather in a huddle to the side, squeaking ‘Leave it, Gary, leave it! He’s not wurf it, you know ‘e’s not!’ Not only that, but let any bit of seasonal bovver start up amongst the moorhens, say, or the resident mallards, and every coot on the dock streams toward the aggro at once. I’ve watched one have a go at its own reflection in a floating plastic bag, piling in with those comedy lobed willow-green feet in a slap-fest of fury. The amount of testosterone these daft birds have in their systems in spring-time is absurd. They’re positively fizzing with it, like an out-of-date yoghurt. No flipping wonder that they’re bald!

WHYS AND WHEREFORES: On blogging

 

First question: why blog?

Because writing a book is like cooking a 5-course dinner-party, and really, sometimes, all you want to do is shove a bit of bread and cheese under the grill. It may be – indeed it should be – the most perfectly crafted toasted cheese, with granary bread just the right side of chewy enough to give your jaws a work-out, Cornish Quartz cheddar, a liberal sprinkling of freshly ground black pepper, and be served with cress and tomato on the side. It may be splished and spiced up with Worcester sauce; or before it even meets the bread, the cheese may have been boosted with a little beer or cider – the point is, it’s the kind of thing you can put together on impulse, a small piece of perfection attainable in fifteen spontaneous minutes or so. No tablecloth, no side plates – desire satisfied, guilt-free indulgence experienced, lips smacked, and then on you go with your day. That’s what this blog will be – impulsive and tasty. Tidbits, snacklets and bonne bouche.

But a blog is the saddest thing in the world without readers. Second question : why might you give your time to read this one? What’s going to be on the menu?

Well, there will be plenty musings on food, for a start, because food, like sex, is a thing we have to do, but the gods have so arranged it that we would do it for pleasure anyway. There will be investigations of Zen and the art of slow cooking. There will be philosophical reflections on everything from ice-cream to the perfect pretzel; from soup to nuts.

There will of course be books – the special ones, the ones you never forget; and those still to be cracked open to release their new-book smell. There will be much thinking on the subject of smell, in fact, from that of a Cornish rockpool to that of the first cup of coffee of the day.

There will be cats – mine, yours, and all those in-between. There will be animal life of every description. There will be the shocking manners of Thames waterfowl, and the utter perfidy of wasps. There will be life as a writer, in all its unexpected weirdness, all its paranoias and all its peculiar delights.

There will be big skies and running, and the horrors of being tortured down the gym; there will be TV, and rants about bloody silly adverts on TV, and Tottenham Hotspur (God help me). There will be spirits of place from the Isle of Dogs to the Isle St-Louis. There will be Samuel Pepys. There will be graveyards and echoes and fog.

There will be movies. And museums. And lifting the curtain on what goes on behind the scenes at museums, and what went on behind the scenes in them fifty, or one hundred, or two hundred years ago. There will be the British Library. There will be the buggritts of life, and the manifold buggritts of tech in particular, and of haircuts and bras and all the ills that female flesh is heir to. And there will be meditations on the small and precious joys – new tights fresh out the packet, lying in a hot bath in the dark, eyeliner that stays where you flippin’ well put it, vodka martinis (oh, there will certainly be booze), and new notebooks, just waiting for the pencil.

In other words, the random thoughts of a random redhead. Welcome to the inside of my head.

 

 

ONLY DISCONNECT: On writing

 

THE LIFE OF A WRITER is a strange and wonderful thing. It is, truly. Here I am, a proper serious grown-up with a very serious birthday a scant two years away, and I spend my time in as much of a bubble as if I were a toddler in a playpen. Writing has disconnected me from calendar, salary, and commute. There’s a fabulously creepy movie from 1962 entitled Carnival of Souls, where the female protagonist (to call her the heroine would undo everything the movie does) simply doesn’t know if she is still in this world, or if she is not, and nor does the viewer. Imagine a benign version, with added cat, of that.

It has disconnected me from clock as well. Hands up all those other night-owls out there – my word, we truly are a thing. I didn’t hate getting up at 7 just because I hated getting up at 7 (although I did) – I hated getting up at 7 because my body-clock wanted me to surface at 10, and then still be awake and tapping away at 2 the following morning. At 2 the following morning on Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday…. I used to love my weekends. Croissants on the sofa, big mug of coffee made just the way I like it (I don’t care how you make yours, mine is better), weekend papers spread out all around me, Radio 4 burbling away in the background and at some point Spurs either covering themselves in glory or causing one to wonder how come they were ever in the Premier League in the first place. I loved my weekends. I can’t remember when I last had one. There was a point before Christmas (Christmas being one of those moments when even the most demented scribbler really has to pause) where I realized I had been working for 19 days on the trot.  I am the writer who lives by herself, and all days are the same to me.

For some of them, I don’t even unlock the front door. For some of them, (oh the shame) I lever myself from the bed, as the last and the tardiest of my neighbours are running from the building in a panic that they’ll miss the bus; I pull on an old stained sweatshirt or holey jumper over whatever I happen to have been sleeping in, and that’s me, dressed. I used to wear skirts; I used to wear tights; I used to wash my hair every morning; I used to wear heels in the daytime – not any more.

If I do have reason to emerge into the outside world, it’s a different place to the one I knew before. The tube is empty; the pavements ditto. Shop assistants are chatty, the shops themselves populated by gently drifting flotillas of mothers with young children, and OAPs – two tribes I never really had any contact with before, but with some of whom I am now familiar enough locally to share a nod. And not for me, any longer, grabbing something for dinner on the way home. I can take my time. I can food-shop with a mindfulness that would make Madame Maigret proud. All those hours between 9 and 5 have opened like blooms on a tulip-tree. When the fridge died recently, after one of those lingering fridge illnesses whose symptoms include a dreadful rattling wheeze and a tendency to wee all over the floor, the folk at John Lewis who provided its successor were deeply apologetic about the fact that I would have to stay in all morning to take delivery. ‘Sometime between 9 and 1’, they said. ‘We’re sorry, we can’t be more specific than that.’

Not, I assured them, a problem for me.

And people are so damn nice when they learn that you’re a writer. If I ever venture into the world of the thriller, and the plot demands some character has to justify their presence in some place they have no business being, all I will need them to do is utter the three magic words ‘I’m a writer’. Abracadabra – everyone’s your friend. We truly are the animal that tells stories, and Lord how immediately and positively we still respond to those who help us do so.

There’s a saying (you know it, I’m sure) that everyone has a book in them, but God help us if should that be true. A world with nothing but writers in it would fall apart within weeks. We’re only half the story. Writers need readers. When you come down to it, there are only two reasons for disconnecting as I have done: to get something written out of my system and to get it into that of as many other people as I possibly can. Thank you for indulging me.